The Wise Man’s Fear (The Slow Regard of Silent Things doesn’t count). Thomas Harris…well, I don’t know what he’s been doing for the last 11 years, but it hasn’t been writing a book.
Brandon Sanderson, on the other hand, doesn’t seem to know the meaning of “taking a break.” In between writing the books in his various series, Sanderson chooses to write other books. Usually they’re shorter, novella-length stories, and they’re generally a slight departure in genre from what he’s best known for. I consider them literary palate cleansers between his larger courses. Others would do well to take a page from his book, so to speak.
Snapshot is one of those palate cleansing stories. It’s a sci-fi detective story set in the near future, at a time when it has become possible to “re-create” a particular day. The technology is used by law enforcement to solve crimes. When they know the time and place a crime has been committed, they’re able to re-create that day and send in detectives, who can hopefully witness the crime being committed, or at least follow the perpetrator and identify where they disposed of the weapon to use for evidence.
Detectives Davis and Chaz are the only two real people in the Snapshot version of May 1st. They’ve been sent there to find the location of evidence used in two separate crimes committed that day…10 days ago. Their task is to find the location of a weapon disposed of after a shooting, report it back to the real world, and then wait a few hours to witness the second crime that will take place a few blocks away. Normally Davis and Chaz would hole up in a safehouse in between investigations to minimize causing disparities, or unintended ripple effects, in the Snapshot.
But this time, instead of going to a safehouse, Davis decides to investigate a crime he knows was reported that same day, one that was never logged at headquarters. What he and Chaz stumble across could change everything.
I have the same criticism for Snapshot that I’ve had with Sanderson’s other shorter offerings, namely, it’s too short. Again, the world Sanderson creates is too intriguing to only get a 120 or so page story. I would have loved for this to be a full-length novel. But the 1100-page Oathbringer comes out in November, so I shouldn’t complain.
★ ★ ★ ★ ☆
★ ★ ★ ★ ☆