427 pgs
Last year, A. J. Finn (not his real name) made his presence on the literary scene known with the publication of his first book The Woman in the Window, a psychological thriller that shares a similar narrative style with books like Gone Girl and The Girl on the Train. Finn also probably owes a portion of his book royalties to the estate of Alfred Hitchcock, as he makes no effort to hide where he received the inspiration for his story.
Anna Fox is a child psychologist who has been confined to her townhouse in Harlem ever since the onset of a severe and near crippling case of agoraphobia. She spends much of her time chatting online with others who suffer with the same condition, and while she knows she shouldn't, she regularly mixes the drugs her doctor prescribed for her with alcohol.
It's in this condition that Anna witnesses--or believes she witnesses--a murder while spying on her neighbors through their window. She tries to report what she saw to the police, who investigate, but find no evidence of any crime. There doesn't even appear to be anyone missing. The woman she says she saw get stabbed doesn't seem to have ever existed.
The references to Rear Window are obvious and I found myself wanting to rewatch it while I read Finn's book, but eventually the story becomes completely Finn's. He does an admirable job of inserting a series of misdirections and keeping you guessing as to the reliability of Anna and what she believes she saw. Not all of Finn's twists come as surprises by the time they're revealed. I was pretty sure I'd figured out a couple of the big ones well before they were confirmed. But it was still a fun read and I'm excited to see what he writes next.
★ ★ ★ ☆ ☆