Atmosphæra Incognita

by Neal Stephenson
97 pgs

I haven't read much by Neal Stephenson, but what I have, I've really enjoyed, enough so that I have several more of his books sitting on the bookshelf right now, yet to be read. The reason they're still to-be-read, is because I feel like I need to prepare myself sufficiently before I start each of his books. For one, they're usually door stoppers, at around 1,000 pages each. But they're also dense and cerebral books, full of big ideas that I worry could potentially cause a brain aneurysm in a a person like me, if I'm not prepared beforehand.

So, I was interested to see what Stephenson could accomplish with a story less than 100 pages long. Atmosphæra Incognita is about the building of a 20-kilometer-high tower in the Nevada desert. The purpose of the tower is given, but it's not an important part of the story, nor are the limited characters it contains. What Stephenson instead focuses on in the few pages he uses is the architectural innovation needed to realistically build a structure that reaches into space.

Atmosphæra Incognita is an interesting read, but not the one I'd recommend for an introduction to his work. For that, do some mental stretches and calisthenics and then pick up one of his fictional tomes.

★ ★ ★ ☆ ☆

East of Eden

by John Steinbeck
602 pgs

I attempted, like I usually do with the other books I've reviewed, to begin by writing a brief summary of East of Eden, considered John Steinbeck's most ambitious book. But I didn't get very far before I realized I was not going to be able to do it justice and still keep it relatively brief. There's just so much to this story that I feel is worth mentioning, and in trying to figure out what characters or elements to leave out, it became an exercise in frustration.

Fortunately, remembering this is a classic book, and one that has been around for nearly 70 years, I realized I really didn't need to write a summary after all. I assume most people have either read it already or plan to one day, so a summary isn't necessary for the former and could potentially ruin the experience for the latter. And I think those who don't fall into either of those two categories don't deserve to know what they're missing.

At its core, East of Eden is Steinbeck's investigation into good and evil, along with mankind's ability, or inability, to choose freely between the two. He took a lot of his inspiration from the fourth chapter of Genesis, the story of Cain and Abel, and patterned two of his main characters after the brothers. But each of the characters in the book is impacted by his theme to some degree or another throughout the story.

Until now, Of Mice and Men, which is one of my all-time favorite books, was the only other Steinbeck novel I'd read, and my plan had been to read The Grapes of Wrath next, eventually. But a friend mentioned he was about to reread East of Eden soon and said I should read it at the same time (like being in a little manly book club). So, I picked it up...and had a hard time putting it down. Now, I not only plan to read The Grapes of Wrath (sooner now, rather than later), but I feel like I should read several more of his books as well now.

★ ★ ★ ★ ★

The Cabin at the End of the World

by Paul Tremblay
270 pgs

Wen, who is about to turn eight years old, and her two adoptive fathers, Andre and Eric, are staying at a rented cabin near a lake in New Hampshire. It's a remote cabin, without cell reception and a mile or so from its nearest neighbor. The perfect place for an extended vacation, where they can be alone as a family.

As the book begins, Wen is out capturing grasshoppers and delicately placing them inside a mason jar with a ventilated lid, when a large and friendly man jogs up the dirt road to the cabin and introduces himself as Leonard. Wen knows she's not supposed to talk to strangers, but Leonard is so friendly--even helping her catch a few more grasshoppers for her collection--and since Andrew and Eric are just on the other side of the cabin, Wen quickly relaxes and enjoys talking to her new friend for a few minutes.

But soon, when three more people--two women and another man all carrying strange, home-made weapons and dressed oddly similar to Leonard--appear at the bottom of the road and begin walking up to the cabin, Leonard's behavior changes and he tells Wen he and his friends need to talk to her and her dads about something very important.

Wen and her two dads try to barricade themselves inside the cabin, but Leonard and his friends are soon able to break in. Once inside, in an eerily calm and reasonable manner, they explain to the family of three that the world is going to end very soon, and the only way to stop it, is for Andrew, Eric, and Wen to voluntarily make a gut-wrenching sacrifice.

The Cabin at the End of the World is the type of book that will stick to your brain long after you finish the last page. It's a psychological horror story that keeps you off balance and uncertain of what you think you, and to say much more than that only risks ruining the experience for the next person. So that will have to do. It will not be long before I pick up another of Tremblay's books. I'm guessing it'll be around this coming Halloween.

★ ★ ★ ★ ★

Shakespeare for Squirrels

by Christopher Moore
271 pgs  (Shakespeare series #3)

A Midsummer Night's Dream is my favorite Shakespeare play. So, I was excited when I learned that it was to be (or not to be) the next one to receive the "Christopher Moore" treatment. Moore began his homage to the Bard with Fool, in which he introduced Pocket, King Lear's diminutive and bawdy court jester, and unleashed him into the literary world. He followed it up with The Serpent of Venice, in which he sent Pocket to thirteenth-century Venice and had him deal with, among other things, a sea monster prowling the city's canals.

In Shakespeare for Squirrels, Pocket, along with his sidekick Drool and pet monkey Jeff, find themselves in Athens. Pocket hopes to become the Duke's fool, but instead manages to insult the Duke and has to flee for his life into the nearby forest, which is ruled by the fairy king Oberon, who happens to be in need of a new fool himself, since his last one, Robin Goodfellow (aka Puck) was found murdered. Oberon promises Pocket he can become his fool, and receive his protection from the Duke, if he can find out who killed Goodfellow.

The story that follows is a great example of why Christopher Moore is one of my favorite authors. First and foremost, his books are hilarious. They're crude, irreverent, and not the type I'm inclined to recommend to those with sensitive literary palates. But that's kind of why I like them so much. There's something to be said for a book that will regularly shock me into laughing out loud on occasion, and his always do. But Moore doesn't just tell a story in a fantastic way, he also tells fantastic stories, and Shakespeare for Squirrels is up there with his best.

★ ★ ★ ★ ☆

Dark Age

by Pierce Brown
751 pgs  (Red Rising series #5)

Darrow, the former slave who led the revolution against the caste system that had enslaved him along with every other red, is back. And not just in the sense of this new installment in the Pierce Brown's series being released, but back to his merciless and vengeful ways.

It's been ten years since he led the revolution and founded the Republic. But now Darrow has been abandoned by it, even labeled a traitor and deemed an outlaw. Along with what remains of his army, Darrow, the once great Reaper, now finds himself waging a rogue war on the fields of Mercury. But he's no longer interested in the politics that restrained him in Iron Gold, and he's determined to continue what he started decades ago.

His wife Virgina still leads the fragile demokracy, their son Pax has been abducted by their enemies, and Darrow is willing to kill billions, if that's what it takes to get back what he's lost.

This is the fifth book in the series, the longest so far, and Pierce Brown appears to have found yet another gear to move forward in. The action and the pacing are relentless, which is a good thing, because that's where Brown shines the brightest. I'm enjoying the series more now than ever before, but don't know how much more I can take, You'd think this far in, some things would have been resolved by now, but that's not the case. The space opera that Brown is writing keeps getting more and more intriguing and complex.

★ ★ ★ ★ ☆

Squirm

by Carl Hiaasen
276 pgs

Squirm is one of Carl Hiaasen's books written for younger readers (but still entertaining for adults) and it features Billy Dickens, a kid who lives in Florida with his mother and sister. His father left them when Billy was 3 years old, and since the only contact they've had from him since is the check he sends every month like clockwork, and since his mother always cuts up the envelope with the return address into tiny pieces, Billy doesn't even know where he lives, let alone what kind of a man he was, or what he does for a living.

But that hasn't stopped him from trying to learn more about his father. And when one month his mother fails to cut up the envelope into small enough pieces, Billy is able to figure out his father's current address, and using almost all of the money he's saved up from working at the supermarket, buys a plane ticket to Montana to go see him.

While in Montana, Billy meets his father's new wife and stepdaughter, who are members of the Crow Nation, but he never sees his father. It seems like even his new family doesn't know much about the man. They tell him he has some secret government job involving drones and that they don't know where he is most of the time.

But as Billy will eventually learn, even though his father wasn't involved in raising him, Billy still shares a lot in common with him. And eventually, those similarities will bring them together.

Squirm is a fun read. Hiaasen's humor is still there, even if it's bridled for younger audiences, but it's still enough to have made me smile often throughout.

★ ★ ★ ☆ ☆

John Dies at the End

by David Wong
456 pgs

Every once in a while, I read a book that doesn't lend itself to an easy or concise description. To adequately describe it would probably take half as long as it would take to read the book itself. John Dies at the End by David Wong (pseudonym) is one of those books.

Somewhere in a small undisclosed town, somewhere in the heart of the country, a new drug has hit the streets. It's known as Soy Sauce, and it promises users an experience unlike any they've had before. John and Dave are friends who live in this undisclosed town and both are perpetual underachievers. John plays in a similarly underachieving band, and one night, at a party after a gig, John is introduced to Soy Sauce by a strange man pretending to be Jamaican. John calls Dave in the middle of the night while experiencing a "bad trip" from the drug. Dave picks up John at his apartment and the two end up at the local Denny's. While there, Dave gets another call from his friend John, whose sitting in the booth across from him eating and not calling him. John asks Dave whether he (John) has died yet, and from that point on, things only get more and more absurd.

John Dies at the End is a book with a cult following. It was originally published as an independent web series by David Wong (again, pseudonym) who was working as a a copy editor at a law firm. It became so popular that he eventually decided to turn the online chapters he had been releasing into novel and through word of mouth, the book became so popular it was turned into a movie starring Paul Giamatti.

While the book isn't fantastic, I enjoyed it enough that I'm interested in reading its sequels: This Book is Full of Spiders, and What the Hell Did I Just Read. I'm interested to see if the things I liked about this one improve in those books, and if the things I wasn't crazy about improve.

★ ★ ★ ☆ ☆